1. Repositorio Digital FLACSO Ecuador
  2. Tesis Sistema FLACSO
  3. Sede Argentina
  4. Tesis Maestría Argentina
Por favor, use este identificador para citar o enlazar este ítem: http://hdl.handle.net/10469/21633
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dc.contributorPelfini, Alejandro Jorge (Director)-
dc.contributorSöyler, Tamer (Dir.)-
dc.creatorBundgaard Rützou, Felix-
dc.date2024-
dc.date.accessioned2024-11-27T20:12:39Z-
dc.date.available2024-11-27T20:12:39Z-
dc.identifier.citationBundgaard Rützou, Felix (2024). Architectural homogenization : an inquiry into ontological effects of standardizing aesthetics and form. Tesis de Maestría. FLACSO. Sede Académica Argentina, Humboldt Universität zu Berlin, Buenos Aires, Berlin.es_ES
dc.identifier.urihttp://hdl.handle.net/10469/21633-
dc.description.tableofcontentsThis thesis explores the phenomenon of architectural homogenization in urban environments over the globe and its ontological effects on urban citizens. Inspired by personal experiences of urban déjà vu, the research delves into the convergence of architectural aesthetics across various cities worldwide. It examines the historical trajectories and political dynamics that have led to the standardization of urban spaces, drawing parallels from colonial legacies to modern globalization. The study employs a conceptual framework grounded in social science and philosophy, particularly phenomenology, to investigate the subjective experiences of urban dwellers in these homogenized environments. The research questions focus on defining architectural homogenization, understanding the ‘sense of place,’ and exploring how homogenized architecture impacts this sense of place, potentially leading to existential confusion and disassociation. The thesis is structured into five chapters. The first chapter provides a historiographical and literature review, tracing the development of urban planning and the emergence of standardized architectural practices. The second chapter conceptualizes architectural homogenization through globalization theories, highlighting the roles of industrial technology, information communication technologies (icts), and capitalist dynamics in shaping global urban aesthetics. The third chapter delves into the ontological significance of urban spaces, discussing the concept of ‘sense of place’ through phenomenological perspectives. The fourth chapter synthesizes these findings, arguing the negative consequences of architectural homogenization on urban citizens’ sense of place. Finally, the fifth chapter applies these theoretical insights to contemporary urban developments, illustrating the problematic nature of standardized urban aesthetics. This thesis aims to generate a critical conversation about the design of cities, advocating for a more heterogeneous and thoughtful approach to urban planning that considers the ontological well-being of urban citizens.es_ES
dc.format113 p.es_ES
dc.languageenges_ES
dc.publisherBuenos Aires, Berlines_ES
dc.rightsopenAccesses_ES
dc.rightsAtribución-NoComercial-SinDerivadas 3.0 Ecuador*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/3.0/ec/*
dc.subjectARQUITECTURAes_ES
dc.subjectCIUDADESes_ES
dc.subjectESTÉTICAes_ES
dc.subjectPLANIFICACIÓN URBANAes_ES
dc.subjectDESARROLLO URBANOes_ES
dc.subjectESTUDIOS DE CASOSes_ES
dc.subjectANÁLISIS DOCUMENTALes_ES
dc.titleArchitectural homogenization :es_ES
dc.title.alternativean inquiry into ontological effects of standardizing aesthetics and formes_ES
dc.typemasterThesises_ES
dc.tipo.spaTesis de maestríaes_ES
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