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dc.creatorMuratorio, Blanca-
dc.date1993-
dc.date.accessioned2024-04-02T17:45:38Z-
dc.date.available2024-04-02T17:45:38Z-
dc.identifier.citationMuratorio, Blanca. 1993. Nationalism and Ethnicity: Images of the Ecuadorian Indians and the Imagemakers at the turn of the nineteenth century. Ethnicity and the State. Political and Legal Anthropology Series, vol. 9: 21–54.es_ES
dc.identifier.urihttp://hdl.handle.net/10469/20416-
dc.descriptionThis essay will examine the explicit and the unspoken yet unhidden images of Ecuadoran Indians represented in those documents and at the Madrid exhibition. The dominant visual images of Ecuadoran Indians (mostly in engravings, drawings, and water colors) circulating among intellectuals, artists, and other powerful producers of public images at the turn of the century, undoubtedly contributed to the construction of the images apparent in the documents. They also seem to have influenced the selection and hierar- chization of the artifacts actually presented at the exhibition. I will argue that those narrative and visual images of the Indians became incorporated as important elements in the political rhetoric of an emerging nationalist ideology.es_ES
dc.formatp. 21-54es_ES
dc.languageenges_ES
dc.publisherNueva York: Routledgees_ES
dc.rightsopenAccesses_ES
dc.rightsAtribución-NoComercial-SinDerivadas 3.0 Ecuador*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/3.0/ec/*
dc.subjectIMÁGENESes_ES
dc.subjectINDÍGENASes_ES
dc.subjectHISTORIAes_ES
dc.subjectETNIAes_ES
dc.subjectNACIONALISMOes_ES
dc.subjectIDEOLOGÍAes_ES
dc.subjectECUADORes_ES
dc.subjectAMÉRICA LATINAes_ES
dc.titleNationalism and Ethnicity: Images of the Ecuadorian Indians and the Imagemakers at the turn of the nineteenth centuryes_ES
dc.typearticlees_ES
dc.tipo.spaArtículoes_ES
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