Conceptos y productores de lugar: un acercamiento etnográfico a La Condesa en la Ciudad de México
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Hurtado Cano, Daniel
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México: FLACSO México
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Esta investigación comprende cómo, a través de los conceptos que construyen los productores de lugar, se expresan relaciones entre lo nacional y lo cosmopolita, lo moderno y lo tradicional, lo exclusivo y lo excluido en La Condesa de la Ciudad de México. El sustento teórico está construido a partir de la sociología cultural desarrollada por Alexander, los marcos de referencia de Goffman y la noción de cultura descrita por Geertz.
This research is oriented, under the concepts developed by producers “of places”, how the relations modern and traditional, excluded and exclusive, cosmopolitan and national points of views are expressed at Condesa’s neighborhood in Mexico City. The theoretical framework is taken from the Alexander’s cultural sociology perspective; from Goffman’s experiential frames notion, and the concept of culture adopted by Geertz. The strategies used for field research were semi-structured interview and ethnographic description: the first one emphasizes on concepts, notions or ideas such as like zone, places, history, names, businesses and the esthetics of the place; the second one allowed us making a detail description of Condesa’s neighborhood. The sampling method used was maximum variation sampling based on gradual selection principle developed by Flick. This work is structured in four chapters: 1) Concepts and “producers of place”: cultural sociology theoretical framework 2) Condesa’s neighborhood, ethnography from their places, 3) Condesa’s neighborhood, and places of consumption, culture and entertainment in Mexico City: an interpretation from “dF de Culto” and, 4) Conclusions.
This research is oriented, under the concepts developed by producers “of places”, how the relations modern and traditional, excluded and exclusive, cosmopolitan and national points of views are expressed at Condesa’s neighborhood in Mexico City. The theoretical framework is taken from the Alexander’s cultural sociology perspective; from Goffman’s experiential frames notion, and the concept of culture adopted by Geertz. The strategies used for field research were semi-structured interview and ethnographic description: the first one emphasizes on concepts, notions or ideas such as like zone, places, history, names, businesses and the esthetics of the place; the second one allowed us making a detail description of Condesa’s neighborhood. The sampling method used was maximum variation sampling based on gradual selection principle developed by Flick. This work is structured in four chapters: 1) Concepts and “producers of place”: cultural sociology theoretical framework 2) Condesa’s neighborhood, ethnography from their places, 3) Condesa’s neighborhood, and places of consumption, culture and entertainment in Mexico City: an interpretation from “dF de Culto” and, 4) Conclusions.
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Keywords
SOCIOLOGÍA CULTURAL, CONDESA (CIUDAD DE MÉXICO : COLONIA), SOCIOLOGÍA URBANA, ETNOLOGÍA, VIDA CULTURAL, CONDICIONES CULTURALES, CULTURAL SOCIOLOGY, URBAN SOCIOLOGY, ETHNOLOGY, CULTURAL LIFE, CULTURAL CONDITIONS
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Tesis de maestría
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149 páginas
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Hurtado Cano, D. (2010). Conceptos y productores de lugar: un acercamiento etnográfico a La Condesa en la Ciudad de México. [Tesis de maestría, FLACSO México].
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